{"id":6092,"date":"2026-07-05T16:28:00","date_gmt":"2026-07-05T14:28:00","guid":{"rendered":"https:\/\/o-m-n-e.com\/en\/?post_type=cpt_pubblicazioni&#038;p=6092"},"modified":"2026-10-05T16:30:27","modified_gmt":"2026-10-05T14:30:27","slug":"matteo-de-mayda-amina-chouairi-lagoonal-capriccio","status":"publish","type":"cpt_pubblicazioni","link":"https:\/\/o-m-n-e.com\/en\/publications\/matteo-de-mayda-amina-chouairi-lagoonal-capriccio\/","title":{"rendered":"MATTEO DE MAYDA, AMINA CHOUAIRI. LAGOONAL CAPRICCIO"},"content":{"rendered":"\n<p><em>Lagoonal Capriccio<\/em> by Matteo de Mayda and Amina Chouairi explores the Venice Lagoon as a complex hydro-environmental system in which natural processes and human-made infrastructures are historically and functionally entangled, to the point of forming a territorial matrix that can hardly be reduced to discrete components. The project focuses on the Casse di Colmata \u2014 land areas produced through reclamation processes and industrial expansion strategies that shaped the Lagoon throughout the twentieth century and which today, largely decommissioned or repurposed, operate as transitional territorial devices.<\/p>\n\n\n\n<p>These are unstable and liminal spaces in which erosion, sedimentation, contamination, and biological recolonisation continuously intertwine, producing provisional environmental configurations in constant redefinition. Within this specific territorial framework \u2014 also explored through archival materials \u2014 the Lagoonal landscape appears to gradually withdraw from the traditional representational imagery centred on the historical and monumental dimension of Venice. Archival images do not function here as merely illustrative or documentary materials, but rather as critical tools capable of articulating the processual and stratified dimension of the territory, making legible the morphological, economic, and political transformations that have shaped its current condition. Through the confrontation between historical materials and new photographic productions, a complex temporality is revealed, in which traces of industrial planning, infrastructural residues, and ecological dynamics coexist within the same visual field.<\/p>\n\n\n\n<p class=\"has-small-font-size\">This publication is part of the &#8216;Whes the Sea Moves In series&#8217; and has been funded by European Union, NextGenerationEU, as part of the PNRR project \u201cNational Biodiversity Future Center\u201d M4C2 I1.4 of the National Research Council<br><a href=\"http:\/\/www.mic.democenterlecce.it\/\" target=\"_blank\" rel=\"noreferrer noopener\">www.mic.democenterlecce.it<\/a><\/p>\n\n\n\n<p class=\"has-small-font-size\"><em>Edited by<\/em> Stefania R\u00f6ssl, Tommaso Parrillo<\/p>\n\n\n\n<p class=\"has-small-font-size\"><em>Graphic design<\/em> Damiano Fraccaro \/ Otium<\/p>\n\n\n\n<p class=\"has-small-font-size\"><em>Publisher<\/em> Witty Books, Torino, July 2026<\/p>\n","protected":false},"featured_media":0,"template":"","meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.10 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>MATTEO DE MAYDA, AMINA CHOUAIRI. 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